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There’s been much heat in the blogosphere regarding the Monuments to our Fallen of 9/11.
The attempt to emplace a ‘Blame America’ exhibit space at the heart of the rebuilt World Trade Center site was narrowly averted, but
still must be paid close attention to as such foLLLks never ever stop their deconstruction attempts.
Likewise, the Flight 93 Memorial in Pennsylvania has been the source of some outrageously disgusting maneuvering by the insane
multi-culti dhimmified Left in this Nation. The design review committee was stacked with some of the same asshats involved in the initial WTC rounds, along with “leading lights” of the art world - put it this way,
if Time Magazine touts an avant garde artist, then we’re likely to get another Crucifix soaking in urine.
Sure enough, the announced ‘winner’ of the design process was by a Lib artiste and was entitled ‘Crescent of
Embrace’. The design is stuffed with Islam-centric obscenity, the primary element of which is a large Crescent of Red Oak trees. A Red Crescent. On a site supposedly honoring our dead, people dead at the hands of
Islamic Terrorists. Even more telling, the “clever” artist deliberately - there is no other word for it than ‘deliberately’ aligned that Crecent on the least-distance direction to Mecca.
There’s already been much written & observed about the critical elements of the design, much information
can be found at the following Little Green Footballs topics discussing the matter
Michelle Malkin -
FLIGHT 93 MEMORIAL: SEEING IS BELIEVING
FLIGHT 93 MEMORIAL: CONTROVERSY
Zombietime -
Flight 93 Memorial Project
All in all, the design is a paean to Islam, with just a cursory mention of our Dead and absolutely
NOTHING about Resolve, Strength, Fighting the Good Fight and oh my, nothing of the famous last words of “Let’s Roll!”.
When challenged about the design, the Committee retrenched, the artist pugnaciously stuck out his lower lip and swore to change nothing.
Then they gave a little ground and the artist smudged the boundaries of the Crescent around a little
bit, and tweaked the name. As of this writing, that it the state of the design. Still incorporating several referents to Islam, a ground design that pays homage to Islamic arrogance, separatism, worship
patterns and objects and precious little of anything American or which Memorializes our honored dead of that flight.
No doubt this memorial, if left unchanged, will take an honored place alongside Auschwitz on the
Jihadi World Tour, where Islamofascists can come and chant ‘Allahu Ackbar!’ in celebration.
When the “Revision” was announced, blogosphere outrage was re-lit. Electrons flew. During that time
I composed a letter hitting all the salient disgusting dhimmi points of the design and expressing my disgust with them, the overal nature of the design.
A near-final draft of that letter can be found at this LGF link
That letter was sent immediately afterward to every single Federal elected representative I have, from
my Congressional Representative, the Flight 93 Committee offices, through the Sec’t of the Interior, the office of the VP and President of the United States. I even included my utterly useless State
Senators Madames Feinstein and Boxer [spit] in my mailing, expecting absolutely nothing to come from them regarding the matter. Such is the state of my Senatorial ‘representation’.
To date, and just this day, seven weeks later, I’ve received my only reply. And it’s from the Flight 93
Memorial Project office, from the personage of Joanne Hanley - Executive Director, National Parks of Western Pennsylvania and Superintendent, Flight 93 National Memorial.
To her / their credit, the letter is personal, attempts to address my specifics regarding the jihadi symbolism Paul Murdoch Associates included in the design. Beyond that, it is formulaic in its
recounting of how the design got to where it is (material which LGF Regulars are already familiar with / sussed out).
It's most unsatisfying. Even more so, its attempt at mollification contains more than a whiff of 'it is what it is and nothing is going to change it further'.
See the following scans for the letter.
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